Sweet Home

The series Sweet Home approaches the domestic environment as a psychological apparatus—a space intended to protect, nurture, and stabilize, yet one in which pressure, control, and quiet erosion gradually accumulate. Everyday life shifts into a closed system of labor, care, and expectation. A normative framework of roles emerges, subtly prescribing what it means to be a woman, a man, a parent, or a partner, and how a family is meant to “function.” Everyday objects operate here as markers of a regime of maintenance, routine, and repetition.

A defining feature of the series is the use of the body as fragment, and of vulnerability not as an exception, but as a structure. The ambivalence of the imagery lies in the way safety overlaps with isolation, care with control, and intimacy with exhaustion. The home becomes a space without witnesses, where helplessness and violence can unfold quietly, beneath the surface of daily life. The pressure of social roles gradually disrupts identity, and the body bears its consequences. A faint suggestion of escape appears within the series, yet it does not offer liberation—rather, it manifests as a destructive shortcut, a temporary relief that accelerates internal decay. Every gesture becomes a sign, and every object a witness to a system that continues to operate, even as the individual dissolves within it.